DD
Daša Drndić
16quotes
Quotes by Daša Drndić
Daša Drndić's insights on:
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She has always been somehow weightless, free of the heavy burden of mother tongues, national histories, native soils, homelands, fatherlands, myths, that many of the people around her tote on their backs like a sack of red-hot stones.
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We react squeamishly to shit, don’t we? But if we look into the matter you’ll see that it’s the most valuable substance on earth, all life comes from shit and returns to shit.
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...it is precisely about things which it is impossible to speak of that one must speak…
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The philosophy of the province is a philosophy of a closed circle that does not allow an apostasy, without which there is no creativity. The philosophy of the province is a normative and normalizing, suprapersonal and impersonal philosophy, it shuts out all aspects of life, education, sport, nutrition, nature, love, work, language, religion and death (which is far from being the death of an individual) replacing life with rigid forms of the normative which apply to all.
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Every novel is about salvation, says Bela Hamvas, there is no novel without confession.
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…he sees a play by Arthur Kopit, he doesn’t remember the title, something about the way a lie becomes the truth and the truth a lie.
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...the intellectual is a person who nurtures, preserves and propagates independent judgment, a person loyal exclusively to truth, a courageous and wrathful individual for whom no force of this world is too great or too frightening not to be subjected to scrutiny and called to account. ... A true intellectual, a genuine one, is always an outsider, …he is a person who lives in self-imposed exile on the margins of society.
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...when I see the other, I understand myself. To understand myself, to respect myself, I have to respect the other, because I am the other. And responsibility for the other is a fundamental human value. Without it, we become monsters.
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Andreas Ban would like to put several swifts on his chest to rest, to breathe with him like sleeping children.Little black birds like cheerful death. Painless.Little black birds with big eyes and a small beak, which peck noiselessly at his insides, see what is there and are silent. Andreas Ban stretches his arms toward the sky, imagining that he is flying, imagining himself in a flock of swifts and lets out a stifled cry. Small birds, they die when they are alone.He, Andreas Ban, is alone.
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Sometimes it is as if Andreas Ban sees Lethe rise from its bed and splash the porous ramparts of memory. Flooding fields, cities and people. And when it decides to withdraw, it drags after it carpets of the past and the shaky present and buries them in its dense silt. And he hears Hypnos and Thanatos shading the world with the fluttering of their wings. Then he ought perhaps to reach for poets.
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